palladis tamia造句

例句与造句

1. Wood perpetuated the mistakes of Richard Puttenham in his " Arte of English Poesie " ( 1589 ), and of Francis Meres in his " Palladis Tamia " ( 1598 ), who both attributed to an Edward Ferrers or Ferris literary work which should have been placed to the credit of George Ferrers.
2. The principal arguments against Shakespeare's authorship are its non-inclusion in the " First Folio " of Shakespeare's plays in 1623 and being unmentioned in Francis Meres "'Palladis Tamia " ( 1598 ), a work that lists many ( but not all ) of Shakespeare's early plays.
3. Achelley is compared with Italian poets by Francis Meres in his " Palladis Tamia " : " As Italy had Dante, Boccace, Petrarch, Tasso, Celiano, and Ariosto; so England had Matthew Roydun, Thomas Atchelow, Thomas Watson, Thomas Kid, Robert Greene, and George Peele " ( fol . 282 ).
4. The list included four of Shakespeare s plays, Merchant of Venice, The Taming of a Shrew, Love's Labour's Lost, and Love's Labour's Won, a play that had been mentioned by Francis Meres in his " Palladis Tamia ", ( 1598 ) but for which no other evidence had been found.
5. Leslie Hotson speculated that " Love's Labour's Won " was the former title of " Troilus and Cressida ", pointing out that " Troilus and Cressida " did not appear in " Palladis Tamia ", a view that has been criticised by Kenneth Palmer for requiring a " forced interpretation of the play ".
6. It's difficult to find palladis tamia in a sentence. 用palladis tamia造句挺难的
7. The date of composition is unknown, but must lie somewhere between 1587, the year of publication of the second, revised edition of " Holinshed's Chronicles ", upon which Shakespeare drew for this and other plays, and 1598, when " King John " was mentioned among Shakespeare's plays in the " Palladis Tamia " of Francis Meres.
8. "Palladis Tamia " contains moral and critical reflections borrowed from various sources, and included sections on books, on philosophy, on music and painting, as well as the famous " Comparative Discourse of our English poets with the Greeke, Latin, and Italian poets " that enumerates the English poets from Geoffrey Chaucer to Meres'own day, and compares each with a classical author.
9. In his " Palladis Tamia ", published in 1598, Francis Meres says Marlowe was " stabbed to death by a bawdy serving-man, a rival of his in his lewd love " as punishment for his " epicurism and atheism . " In 1917, in the " Dictionary of National Biography ", Sir Sidney Lee wrote that Marlowe was killed in a drunken fight, and this is still often stated as fact today.
10. However, there is no way of knowing how complete Meres'knowledge of the published plays actually was or whether he even intended to produce a comprehensive list of all the plays; at the very least, it is generally agreed that Meres neglects " The Taming of the Shrew " ( 1590 91 ), and all three parts of the " Henry VI " trilogy which most scholars believe were written by 1591, seven years before " Palladis Tamia ".
11. The affectionate esteem with which he was regarded by the younger Elizabethan writers is expressed by Thomas Nashe, who says ( " Foure Letters Confuted " ) that Churchyard's aged muse might well be " grandmother to our grandiloquentest poets at this present . " Francis Meres ( " Palladis Tamia ", 1598 ) mentions him in conjunction with many great names among " the most passionate, among us, to bewail and bemoan the perplexities of love . " Spenser, in " Colin Clout's Come Home Again, " calls him with a spice of raillery " old Palaemon " who " sung so long until quite hoarse he grew ."
12. They included such articles as  The Psychology of the Authorship Question,  which according to the abstract,  Employs a historical / psychoanalytical model to understand why so many academicians are resistant to rationale [ " sic " ] discourse on the authorship question;  Francis Meres and the Earl of Oxford, which supposedly  Analyzes the numerical structure of Francis Meres'1598 " Palladis Tamia " to show that Meres not only knew that Oxford and Shakespeare were one and the same, but that he constructed his publication to carefully alert the reader to this fact ( and incidentally marks the Oxfordian descent into cryptic number puzzles that formerly were the sole province of Baconism ); and  Edward de Vere's Hand in Titus Andronicus.
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